Based on a story by Stephen King first published in the 2020 anthology “If It Bleeds”, “Mr. Harrigan’s phone”May disappoint fans of King’s more traditional horror opera, especially since it’s not really horror. But that’s actually the best thing. Adapted for the screen by John Lee Hancock, a writer and director not known for spooky films (“The Founder”, “The Highwaymen” and “The Blind Side”), the film stars Jaeden Martell (“It”) in play Craig, a bullied high school boy who was hired to read aloud to the rich old man with the title (Donald Sutherland), a grumpy in poor health who over the years becomes the boy’s mentor, much that Craig buys Harrigan a 2007 iPhone in gratitude. (The film is set in the 2000s. When Craig explains what the new device can do – spying on you, knowing what you like, spreading misinformation – Harrigan says, prophetically, “We should all be very scared of this thing.”) After Harrigan he died and was buried with his phone, there is a hint of communication from beyond the grave and some suspicious deaths follow. But King and Hancock don’t go very far with this, leaving the story’s supernatural elements implicit rather than explicit, in favor of a ghost story that works better – and quite well – as a metaphor: a creepy and atmospheric cautionary tale about digital surveillance. and the tyranny of electronics. PG-13. Available on Netflix. It contains mature thematic material, strong language, violent content and short drug material. 106 minutes. – MO

John Lee Hancock Q&A: “The Founder” paints a mixed portrait of the man who conquered McDonald’s global

For anyone who has waited 35 years to see a female version of the 1987 horror movie “Hellraiser’s” villain – nicknamed “Pinhead” by fans for the character’s facial acupuncture – gender equity is finally here. After multiple sequels, a rebooted version of “Hellraiserarrived, with jaw-dropping visuals and blood-filled buckets, but it’s not just another sequel. As director David Bruckner (“V / H / S”) put it, it’s more of a “reimagination” than a “rigorous canon”. In the eleventh film in the series, the vice theme from the original film is taken up in the lusty and recently sober character Riley (Odessa A’zion), who is struggling to live with her brother, her brother’s partner and an easily forgotten fourth roommate. . Behind the counts and hoping for an easy outcome, the impulsive protagonist and her new boyfriend steal a locked puzzle box after her sadistic millionaire owner is gone. (The box will be familiar to fans of previous films for its ability to open a portal to a realm of sexualized supernatural beings who push pain as the ultimate pleasure. They are as menacing as ever.) In no time, the box begins to do the trick. his stuff, which isn’t nice. Fortunately, there’s a whole supporting cast of fresh, underdeveloped faces to satiate the appetite of box carnage. No genuine relationship is established over the course of the film’s two hours (which seem longer), rendering the deaths devoid of some sense of devastation, although the shock factor remains. “Hellraiser” could have used a little less editing on the screen and a little more editing in the editing room, but it succeeds in one crucial aspect: making a post-screening walk in the park with your dog much more nervous after dark. . decanting. A. Available on Hulu. Contains strong bloody horror, violence and blood, foul language throughout, some sexual material and brief graphic nudity. 120 minutes. – OM

Can $ 190,000 Guarantee a Better Life? This is the question initially asked by the jubilant title character in “To LeslieTV veteran Michael Morris’s directorial debut about a lottery winner played by Andrea Riseborough. The life of Leslie and her young son, one might think, would change for the better. But six years after her victory, Leslie was kicked out of a motel and shunned by everyone she knows and lives from bottle to bottle, barely a penny to her name. Any attempt to start over is met by the hesitation of her now grown son, James (Owen Teague), who has made a living. (At one point, when Leslie invites James to the zoo, he asks her: What if people are standing around and watching you suffer? They already do, she tells him.) Although the how and why of Leslie’s fall are only broken down In pieces by screenwriter Ryan Binaco, Leslie relives in the past, returning to the bar where her life once changed. She now she has had so many second chances that she, for others, she has passed the point of safety. Life has moved on and everyone, especially two close friends (Stephen Root and Allison Janney), only remembers the heavy train wreck that Leslie’s life became. The film’s redemption theme may be overly familiar, but Riseborough lives up to the occasion, delivering a vulnerable performance as a woman who has been a long-standing disappointment to her friends. The list of crossed-out phone numbers she carries highlights how many bridges Leslie has burned as she tries to get herself together. When two motel owners (Marc Maron and Andre Royo) try to throw a lifeline to Leslie near the end of the film, you’ll be ready for her to put the bottle down and clean up her play. R. Available upon request. Contains strong language and some drug use. 119 minutes. – OD

In “The luckiest girl in the worldMila Kunis plays a New Yorker who seems to have it all – a great job, a robust boyfriend and a planned wedding in Nantucket – until questions from a documentary director lead her to reexamine a troubling high school accident from her past. A. Available on Netflix. Contains violence, rape, sexual material, strong language and adolescent substance use. 115 minutes.

Dolph Lundgren and Frank Grillo face off in “Operation Seawolf”, A nautical action thriller about Germany’s effort to attack the US homeland by sea in the twilight days of World War II. Not classified. Available on request. 86 minutes.

Winner of an Audience Award at this year’s SXSW Film Festival, “Pretty problems“is a comedy about relationships – Deadline calls it funny” to laugh out loud “- set in wine country. Not classified. Available on request. 103 minutes.

The documentary “The redemption teamFollows the efforts of the US men’s basketball team to redeem themselves at the 2008 Olympics after winning just one bronze medal in 2004. TV-MA. Available on Netflix. 98 minutes.

Born from the failures fires of 2004, Team USA basketball is now built to last

While hiking in the remote woods, a couple (Jake Lacy from “White Lotus” and Maika Monroe from “It Follows”) experience sinister events in the horror film. “Partner.A. Available on Paramount Plus. Contains violence, blood and strong language. 90 minutes.

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