Historical events feature prominently in this season’s releases, including “Daydream of Moonage” (September 16), a documentary portrait of David Bowie, centered on his audiovisual archive, directed by Brett Morgen. Phyllis Nagy directed “Call Jane” (October 14), a real-life drama Jane Collective, a Chicago-based group who practiced abortions at a time when the procedure was illegal. The story, set in 1968, follows a housewife (Elizabeth Banks) who, after having an abortion, joins the group. “Until” (October 14), directed by Chinonye Chukwu, dramatizes the effort of Emmett Till’s mother, Mamie Till-Mobley (Danielle Deadwyler), to seek justice for her son’s lynching and to publicize the facts of his murder.

Family stories are told with a wide variety of approaches, starting with “Cathedral” (September 2), Ricky D’Ambrose’s second boldly original feature, an almost autobiographical coming-of-age story about a young man from the New York suburbs who, growing up amidst conflicts and secrets, develops a unique aesthetic sensibility – reflecting the style of the film . Lena Dunham wrote and directed “Catherine called Birdy” (September 23), based on a novel by Karen Cushman, about the life of a teenager (Bella Ramsey) in medieval England. Queens native James Gray blends personal reminiscences and political drama “Time of Armageddon” (October 28); is set in 1980 and centers on a sixth-grade white child (Banks Repeta) who befriends a black classmate (Jaylin Webb) in a public school and discovers the grim power of privilege and then, in a private school, meets the Trump family. Anne Hathaway, Jeremy Strong and Anthony Hopkins are the co-stars.

Risks of life in the public eye are featured in numerous films this season. “Play for Jesus. Save your soul.” (September 2), the first feature film directed by Adamma Ebo, is a serious comedy about a pastor of a megachurch (Sterling K. Brown) who, after a sex scandal, attempts to rebuild the congregation with the help of his wife (Regina Sala) . “Blonde” (September 28), adapted from Joyce Carol Oates’ novel, is director Andrew Dominik’s biopic about Marilyn Monroe (Ana de Armas), which delves into the celebrity crisis. Cate Blanchett plays a conductor in “TAR” (October 7), a drama set in the world of classical music, written and directed by Todd Field.

It wouldn’t be Hollywood without fantasy, as in “Don’t worry, honey” (September 23), Olivia Wilde’s second feature film as a director, a dystopian thriller, set in the 1950s, about a planned community that hides mysteries. She is co-starring with Florence Pugh and Harry Styles. “Lyle, Lyle crocodile” (October 7), Will Speck and Josh Gordon’s live-action adaptation of Bernard Waber’s children’s book series, features a New York family (Constance Wu, Scoot McNairy, and Winslow Fegley) adopting the titular reptile (Shawn Mendes). In “Black Panther: Wakanda Forever” (November 11), sequel to the 2018 Marvel adventure, residents of Wakanda defend their country after the death of their king, T’Challa; director Ryan Coogler and actors Letitia Wright, Lupita Nyong’o, Danai Gurira and Winston Duke return from the previous episode. ♦

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